Emma Roberts’ Dreamy Vintage Wedding Gown Unveiled

When Emma Roberts slipped down the aisle in Sun Valley, Idaho, on a crisp Saturday afternoon, all eyes were on the ethereal dress she’d spent months perfecting with designer Monique Lhuillier. The actress‑singer, best known for her roles in “American Horror Story” and “Aquamarine,” wanted something that felt like a whisper from the past – “a little antique ghost doll,” she told Vogue.

What she got was a silk‑chiffon gown that looks as if it were dipped in tea, giving the fabric a soft, off‑white hue the designer later christened “antique rose.” The material drapes like a cloud, and the silhouette is both romantic and undeniably vintage. The dress is strapless, but the real magic lies in its detachable, asymmetrical shawl – a piece that can be whisked away after the ceremony, revealing a clean, shoulder‑bare look for the reception.

Function meets fantasy in the dress’s hidden details. A built‑in corset offers structure while a high slit on the left side grants the bride freedom of movement – perfect for a quick twirl or a stroll across the venue’s lawn. The gown also sports a traditional sheer veil that drapes gently over the face, plus a mini Old‑Hollywood veil that can be flipped back like a headband for a playful, cinematic touch.

Roberts, 35, admitted she didn’t have a clear picture at first. “I kind of wanted to look like a ghost,” she said, explaining how she and Lhuillier built the dress from the bottom up. The designer poured roughly 1,000 hours over nine months into the piece, crafting what she describes as “five looks” that can be mixed, matched, and removed throughout the day.

When the bride first tried the dress on, she felt “like an elfin fairy.” Her mother, Kelly Cunningham, burst into tears, and friends asked in stunned disbelief, “Are you serious?” Even Cody John, the groom, was expected to get a little misty – the couple shares a love for vintage treasures, and Roberts joked that he’d probably love it even if she had shown up in jeans.

For the after‑party, Lhuillier designed a second outfit: a black, tea‑length two‑piece set with a hand‑cut, layered skirt taken from the designer’s 2004 fall collection. “I love the idea of wearing black for the afterparty,” Roberts said, noting the unexpected, retro vibe she hopes will surprise guests.

Cody John kept things classic in a traditional tux, letting Emma’s dress take center stage. The couple, engaged since July 2024, exchanged vows on John’s family estate, surrounded by friends, family, and a whole lot of vintage charm.

In short, the dress is a love letter to antique books, treasure hunting, and the romantic ghosts of fashion history – a perfect reflection of a bride who wanted her wedding day to feel like stepping into a beloved old novel.