Aunjanue Ellis Taylor on Why She Had to Be Uncomfortable for Ava DuVernay’s ‘Origin’

Rachel McAdams Received “Play Length Notes” From Judy Blume

‘Maestro’ DP Matthew Libatique on Telling Leonard Bernstein’s Story Onscreen With and Without Color

Taraji P. Henson on the Power of Poet Nikki Giovanni: “She Gave Me a Voice”

‘The Color Purple’ Costume Designer on Creating a Vision in Red for Taraji P. Henson’s Shug Avery

Hollywood Flashback: Chilling Survival Story ‘Alive’ Landed in Theaters 31 Years Ago

‘Killers of the Flower Moon’ Makeup Department Head Reflects on Challenges and Responsibilities: “There Were a Lot of Emotions”

Hollywood Flashback: When Irene Cara’s ‘Flashdance… What a Feeling’ Had It All in 1984

On Second Watch: Running Scared Is an Underrated Billy Crystal Movie

How Films Like ‘All of Us Strangers,’ ‘Passages’ and ‘Bottoms’ Usher in a New Era for Queer Storytelling

Chelsea Handler Is Excited to Host the Critics Choice Awards During “The Year of Women”

‘Maestro’ Editor Michelle Tesoro on Conducting the “Truthful” Story of Leonard Bernstein and Felicia Montealegre

‘May December’ Screenwriter Samy Burch on the Film’s Provocative Premise: “There’s Something Very Icky About It”

Callum Turner on Working With Austin Butler in ‘Masters of the Air’

Framing the Horrors of the Holocaust Through a 21st Century Lens: Making of ‘The Zone of Interest’

‘Chicken Run: Dawn of the Nugget’ and ‘Migration’: Two Animated Features That Cry Fowl

Best of 2023: Brandon Schreur’s Top 10 Movies of the Year