Delhi | 25°C (windy)
The Unpaid Masterclass: How Shakti Mohan Choreographed Deepika Padukone for Free

Shakti Mohan on Choreographing Deepika Padukone for Free: A Dream Call from Sanjay Leela Bhansali Changed Everything

Dive into the surprising story of how celebrated choreographer Shakti Mohan landed her first big Bollywood break, working with Deepika Padukone on a Sanjay Leela Bhansali film, all without a paycheck, driven purely by passion and a moment of sheer disbelief.

Imagine, if you will, getting a phone call that utterly changes the trajectory of your professional life, leaving you in a state of sheer disbelief. For acclaimed choreographer Shakti Mohan, that moment arrived with a call from none other than the legendary filmmaker Sanjay Leela Bhansali. She candidly shared the unforgettable story of how she ended up choreographing Deepika Padukone for the soulful track “Nainowale Ne” in Bhansali’s epic film, Ram Leela – and here’s the kicker – she did it entirely for free.

Shakti confessed, with a touch of enduring awe, that she was absolutely stunned, truly flabbergasted, when Bhansali himself reached out. “I just freaked out,” she recalls, detailing the profound admiration she harbored for the director, whose films are known for their magnificent scale and deeply emotional musical sequences. It wasn't just a job offer; it was a dream beckoning, an opportunity to step into the world of a filmmaker she had long admired from afar. The initial plan was merely for her to assist, to be a helping hand in bringing Bhansali’s grand vision to life.

But as often happens in the whirlwind of filmmaking, plans can evolve dramatically. What started as an assisting role quickly transformed into a full-fledged choreographic responsibility for "Nainowale Ne." It's a testament to her talent, surely, but also to the dynamic and often improvisational nature of a Sanjay Leela Bhansali set. Working with Deepika Padukone, an actress known for her grace and powerful screen presence, must have been an incredible experience in itself.

Now, about the “free” part – one might wonder why anyone would take on such a significant project without a paycheck. For Shakti, the value far transcended monetary compensation. She viewed the entire experience as an invaluable masterclass. Every moment on set, every instruction from Bhansali, every on-the-spot change in choreography was a lesson in itself. It was an intensive learning curve, showing her the intricacies of improvisation and how to adapt gracefully to the demanding, yet incredibly creative, environment of a Bhansali production. She gained insights that no film school or workshop could ever provide.

Looking back, Shakti asserts that those unpaid days on Ram Leela were foundational. They didn't just provide experience; they essentially paved the way for her future successes. This crucial break, born out of passion and sheer nerve, opened doors to other major projects. Later, she would again collaborate with Bhansali, albeit in a paid capacity, for another of his grand ventures, Padmaavat. But it all started with that one surprising phone call and the decision to embrace an opportunity, monetary gain or not, purely for the love of her craft and the chance to learn from a legend.

It’s a powerful reminder, isn't it? Sometimes, the most valuable opportunities in life come disguised as challenges, or perhaps, as entirely unremunerated endeavors. For Shakti Mohan, that leap of faith didn't just lead to a memorable choreography credit; it set the stage for an entire career defined by creativity, learning, and an unwavering passion for dance.

Comments 0
Please login to post a comment. Login
No approved comments yet.

Disclaimer: This article was generated in part using artificial intelligence and may contain errors or omissions. The content is provided for informational purposes only and does not constitute professional advice. We makes no representations or warranties regarding its accuracy, completeness, or reliability. Readers are advised to verify the information independently before relying on