Defending the Dark Knight's Foe: Matt Reeves Responds to Quentin Tarantino's 'Weak Sauce' Label for Paul Dano's Riddler

Unpacking the Controversy: Rio Raj Speaks Out on 'Aan Paavam Pollathathu' and its Portrayal of Women

IFFI's Grand Ambition: A Call for Deeper Purpose and Vision

Beyond 'Kids' Stuff': Zootopia's Next Chapter and the True Power of Animation

A Master Filmmaker's Dire Warning: Adoor Gopalakrishnan Slams National Film Awards

Gustakh Ishq Review: A Melodramatic Misfire Despite Stellar Talent

The Curious Case of Cinematic Brutality: Suparn Varma Challenges India's Double Standard on Violence

A Silent Sigh for the Vanishing Art of Hindi Film Comedy

More Than Just Moves: A Director's Candid Take on Cinema's Dance Dilemma

The Cinematic Gauntlet: When 'All's Fair' Met Its Match (And a Brutal Rotten Tomatoes Score)

The Sacred Line: Hombale Films' Heartfelt Plea to 'Kantara Chapter 1' Fans

Bollywood's Brave New World: Is Caste Finally Getting Its Due On Screen?

The Dangerous Allure: How a New Documentary Unmasks Nazi Propaganda's Enduring Threat

The Art of Anticipation: Why Sean Baker's 'Anora' Review Demands Patience

Bollywood's Comedy Conundrum: Unpacking Satire, Parody, and Farce

Dominic Arun on 'Lokah' Criticism: "You Can Never Satisfy Everyone" — A Director's Candid Response

Darren Aronofsky's 'mother!': A Cinematic Earthquake Dividing Critics

The Relentless Onslaught: A Deep Dive into 'One Battle After Another'

Piyush Mishra Unfiltered: Why Anurag Kashyap's Films Often Falter After Intermission

Sacrifice: Romain Gavras' Dazzling But Divisive Hollywood Opus with Anya Taylor-Joy and Chris Evans

The Pale Bloom: Why 'Rose of Nevada' Fails to Blossom as a Western Thriller

Obsession at TIFF: A Deep Dive That Never Quite Surfaces

The Conjuring's Fading Echo: Has 'Last Rites' Lost Its Soul?

A Disappointing Detour: Ethan Coen's 'Honey Don't!' Falls Flat

Lurker: A Descent into Disappointment – How a Horror-Thriller Loses Its Way

The Spy Universe Stumbles: War 2's Disappointing Return