‘The Eyes of Ghana’ Review: Yaachek Ladzekpo’s Earnest Directorial Debut Is a Work in Progress

Yaachek Ladzekpo’s feature film debut, “The Eyes of Ghana,” is a testament to earnest ambition, a deeply personal project that, despite its rough edges, signals the arrival of a promising new voice in African cinema. This poignant drama delves into the complex tapestry of identity, memory, and the enduring pull of one’s ancestral home, offering a viewing experience that is both moving and, at times, frustratingly uneven.

The narrative centers on Kofi, a young Ghanaian man living in the diaspora, whose life is upended by the sudden death of his estranged father.

Compelled to return to his homeland for the funeral, Kofi finds himself a stranger in a familiar land, navigating a culture and family he barely remembers. Ladzekpo skillfully uses Kofi’s journey as a mirror, reflecting not just the individual’s search for belonging but also the broader challenges faced by the diaspora in reconnecting with their roots.

The film beautifully captures the vibrant, pulsating energy of Ghana, from its bustling markets to its serene landscapes, making the setting a character in itself.

Visually, “The Eyes of Ghana” shines. Cinematographer Akosua Mensah paints a vivid portrait of Ghana, employing a warm, earthy palette that imbues every scene with a sense of authenticity and a deep connection to the land.

There are moments of breathtaking beauty, particularly in the film’s quiet, contemplative shots that allow the emotional weight of Kofi’s journey to truly resonate. The performances are another strong anchor, with lead actor Kwesi Appiah delivering a nuanced portrayal of Kofi, whose internal conflict and quiet struggle are palpable.

Supporting performances, especially from veteran actress Ama Serwah as Kofi’s stern but loving aunt, add significant emotional depth.

However, it is in its storytelling where “The Eyes of Ghana” reveals its nascent stage. Ladzekpo, in his eagerness to explore a myriad of profound themes—grief, cultural alienation, familial duty, ancestral wisdom—occasionally overloads the narrative.

The pacing can be erratic; certain crucial developments feel rushed, while other segments linger a little too long, threatening to disrupt the film’s emotional momentum. Subplots, while intriguing, sometimes feel underdeveloped or tangential, preventing the core emotional arc from achieving its full potential.

The script, though rich in cultural insight, occasionally stumbles with dialogue that can feel overtly expository rather than organically emerging from the characters.

Ultimately, “The Eyes of Ghana” is best viewed as a powerful work in progress. It is a film brimming with heart, cultural relevance, and an undeniable directorial vision.

Yaachek Ladzekpo has crafted an ambitious debut that, despite its narrative imperfections, leaves a lasting impression. It's a film that resonates with genuine emotion and a deep respect for its subject matter, hinting at a very promising future for its creator. Audiences willing to embrace its raw, earnest spirit will find much to appreciate in this compelling return to roots.