Sabrina Carpenter Doesn't Hold Back: Slams White House Over 'Evil' Use of Her Hit Song 'Espresso'
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- December 03, 2025
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Well, here's a headline you might not have seen coming: pop sensation Sabrina Carpenter, whose track 'Espresso' has been absolutely dominating the charts, has just publicly called out none other than the White House. And believe me, she wasn't sending them a fan letter. Carpenter, known for her catchy tunes and charming demeanor, took a rather stern stance against a recent White House social media post that featured her song.
So, what exactly got her so riled up? The video in question, which quickly made the rounds, showed White House Press Secretary Karine Jean-Pierre discussing — wait for it — melting ice cream. Yes, ice cream. All set to the breezy, feel-good backdrop of 'Espresso.' The intention, one might assume, was to create a light, relatable moment, perhaps aiming for a touch of virality or just a bit of everyday charm in the often-serious world of politics.
But Sabrina Carpenter saw things very, very differently. Her reaction? Blunt, to say the least. She publicly slammed the video, branding it as "evil." Now, that's a strong word, isn't it? And it certainly gets you thinking. For Carpenter, it seems the use of her upbeat song and a trivial topic like melting ice cream, set against a backdrop of incredibly serious global events and human suffering, felt deeply insensitive and, frankly, tone-deaf. It's like, how can you be talking about ice cream with my song playing when there's so much going on in the world? That's the vibe she was giving off.
This whole incident really spotlights a fascinating intersection between pop culture, celebrity influence, and political messaging. When artists lend their music, even unwittingly, to government communications, there's always a risk. And in this case, it backfired spectacularly, at least from Sabrina's perspective. She made it abundantly clear that she felt her work, and perhaps the mood it evokes, was completely misused in a context she found inappropriate and, frankly, quite jarring.
Ultimately, Carpenter's sharp criticism serves as a potent reminder that celebrities aren't just figures to be sampled for social media trends. They have voices, opinions, and a powerful platform to express them. And when they feel their art is being trivialized or, worse, deployed in a way that feels disrespectful to broader societal concerns, they're not afraid to speak up. This wasn't just a minor complaint; it was a very public, very pointed rebuke that certainly got people talking and reconsidering the appropriateness of such content in today's world.
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