Karan Johar Playfully Declares 'Student Of The Year' the Original Love Triangle Saga

Bollywood's beloved filmmaker, Karan Johar, known for his grand romantic sagas and sharp wit, recently set the internet abuzz with a hilariously insightful observation. With his signature charm, Johar drew a playful parallel between his 2012 directorial debut, 'Student Of The Year' (SOTY), and Amazon Prime Video's sensation, 'The Summer I Turned Pretty' (TSITP).

His core argument? When it comes to the iconic 'two brothers, one girl' love triangle, SOTY might just have gotten there first!

The comparison, which immediately resonated with fans of both narratives, stemmed from the undeniable structural similarities in the romantic dynamics. Both 'Student Of The Year' and 'The Summer I Turned Pretty' feature a captivating young woman caught between the affections of two brothers, leading to a delightful, albeit complicated, dance of hearts.

Johar, ever the keen observer of cinematic tropes, highlighted this shared narrative backbone with a twinkle in his eye, making fans revisit the original chemistry of his film.

But the similarities didn't stop at the overarching plot. Karan Johar specifically pointed out a memorable pool scene in 'The Summer I Turned Pretty' that strikingly mirrored a sequence in his own film.

Taking to social media, Johar jovially declared, "When I watched #thesummeriturnedpretty and saw the love triangle, I instantly remembered our film #studentoftheyear! Two brothers, one girl! And the pool scene! We were here first! For the record, I love the show! But it’s a sweet coincidence!" This light-hearted assertion instantly became a talking point, showcasing his unique blend of self-awareness and industry savvy.

'Student Of The Year' itself was a launchpad for three of today's biggest stars: Alia Bhatt, Sidharth Malhotra, and Varun Dhawan.

The film, a quintessential KJo production, was brimming with youthful energy, vibrant songs, and, of course, a central love triangle that captivated audiences. Johar's playful comparison not only celebrated his own work but also acknowledged the enduring appeal of such romantic constructs across different cultures and platforms.

Ultimately, Johar's comments weren't a critique but a testament to the timeless nature of certain romantic tropes and perhaps a proud, albeit humorous, nod to his own film's pioneering spirit in Bollywood.

It was a delightful moment for fans to appreciate how universal themes of love, friendship, and rivalry continue to captivate audiences, whether it’s in a glamorous Indian university or a sun-drenched American summer.