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Imtiaz Ali Rises to Defend A.R. Rahman Amidst Bollywood Bias Claims: "No Communal Angle Here"

  • Nishadil
  • January 20, 2026
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  • 2 minutes read
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Imtiaz Ali Rises to Defend A.R. Rahman Amidst Bollywood Bias Claims: "No Communal Angle Here"

Imtiaz Ali Dispels 'Communal Bias' Allegations Against A.R. Rahman in Bollywood

Filmmaker Imtiaz Ali vehemently defends music maestro A.R. Rahman, dismissing claims of communal bias in Bollywood that have suggested the Oscar winner is being sidelined. Ali emphasizes Rahman's legendary status and unwavering impact.

You know, there’s always a hum of speculation in Bollywood, especially when it comes to the giants of the industry. Lately, a rather uncomfortable conversation has been swirling around the legendary A.R. Rahman – the kind that suggests he might be facing some unfair treatment, specifically communal bias, within the very industry he's graced with his genius for decades. It's a tough pill to swallow for fans, really, to think that someone of his caliber could be overlooked for anything other than creative merit.

But now, filmmaker Imtiaz Ali, ever thoughtful and articulate, has stepped up to clear the air, offering a robust defense of his frequent collaborator. And frankly, it’s a much-needed perspective. Ali, who has worked closely with Rahman on iconic projects like 'Rockstar' and 'Highway,' emphatically stated that he doesn't believe there's any communal bias at play against the music maestro. He just doesn't see it.

When you hear talk of Rahman being 'sidelined,' it certainly makes you pause. After all, this is the man who redefined Indian film music, a global icon with an Oscar, a BAFTA, and a Grammy to his name. To suggest that his opportunities are dwindling due to his faith? It feels, well, off. And Imtiaz Ali echoed this sentiment perfectly. He pointed out, quite rightly, that Rahman is nothing short of a legend, an artist whose music transcends boundaries and touches countless souls. His compositions are, and always have been, in high demand, not just in India but across the world.

Ali’s perspective is grounded in his direct experience and a deep respect for Rahman's unparalleled talent. He seemed to suggest that if there's any perceived 'distance' or fewer projects, it's certainly not due to some insidious bias. Perhaps it’s a natural evolution of an artist's career, or a more selective approach from Rahman himself as he explores diverse avenues, or even just the fickle nature of an industry that's constantly chasing the next big thing. But to attribute it to communal reasons? Ali doesn't buy it, and honestly, many would agree.

Ultimately, the enduring appeal of A.R. Rahman’s music speaks volumes. His melodies continue to captivate, his innovations inspire, and his legacy is, quite simply, undeniable. Imtiaz Ali's defense isn't just about quashing rumors; it's about reaffirming the sheer brilliance of an artist who remains a guiding star in the firmament of global music. And that, in itself, is a beautiful thing.

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