AI: A Cinematographer's Ally, Not Their Nemesis
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- February 03, 2026
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Veteran Cinematographer R. Rathnavelu Reassures BIFFes Audience: AI Enhances, Not Threatens, the Art of Visual Storytelling
At the Bengaluru International Film Festival, acclaimed cinematographer R. Rathnavelu shared a refreshing perspective on artificial intelligence, positioning it as a powerful ally for DPs. He passionately argued that AI will liberate creatives from tedious tasks, allowing them to truly focus on the artistic heart of filmmaking, rather than posing a threat to their craft.
The air at the Bengaluru International Film Festival (BIFFes) often buzzes with discussions about the future of cinema, and this year was no different. One topic, perhaps more than any other, sparks both excitement and apprehension across industries: Artificial Intelligence. But amidst the chatter, a seasoned voice emerged with a wonderfully optimistic and, dare I say, reassuring perspective. That voice belonged to none other than the brilliant cinematographer R. Rathnavelu.
For many, the mention of AI in creative fields conjures images of robots taking over, of human artistry being rendered obsolete. Yet, Rathnavelu, a master behind the lens known for his stunning visuals, emphatically declared AI not as a looming threat, but rather as an incredible boon for cinematographers. It's a subtle but profound shift in perspective, one that reframes the narrative from fear to potential.
He articulated this vision beautifully, suggesting that AI can step in to shoulder the more repetitive and frankly, sometimes tedious, aspects of filmmaking. Think about it: the intricate calculations for complex camera movements, the meticulous pre-visualization work that can take hours, even days, to perfect. AI, he argued, is perfectly poised to handle these logistical challenges with efficiency and precision. This isn't about replacing the human eye; it's about freeing it.
Imagine, if you will, a cinematographer no longer bogged down by the minutiae of drone flight paths or intricate crane maneuvers. Instead, their creative energy can be wholly dedicated to what truly matters: the subtle play of light, the perfect framing that evokes emotion, the nuanced visual storytelling that makes a scene unforgettable. Rathnavelu's point was clear: AI is a tool, a sophisticated paintbrush, if you will, that allows the artist to focus entirely on the masterpiece.
It's vital, of course, to understand the distinction. AI isn't suddenly going to start dreaming up compelling narratives or developing a unique artistic vision. That, he stressed, remains firmly in the realm of human creativity, especially the director's vision and the cinematographer's intuitive understanding of light and shadow. The "human touch," that intangible quality that makes art resonate, simply cannot be replicated by algorithms. AI can facilitate, but it cannot originate true artistic intent.
Looking ahead, Rathnavelu also touched upon the fascinating possibilities of virtual reality (VR) and its convergence with traditional filmmaking. As these technologies evolve, AI will undoubtedly play an even larger role in managing their complexities, further enabling filmmakers to push boundaries without getting lost in the technical weeds. It’s an exciting frontier, really.
So, the next time you hear about AI entering the creative space, perhaps take a leaf from Rathnavelu's book. Rather than a competitor, envision it as a powerful assistant, an innovative partner that liberates the human spirit to focus on what it does best: to imagine, to create, and to tell stories that move us deeply. It seems the future of cinematography, far from being diminished, is set to be profoundly enhanced.
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