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A Mother's Embrace, A Community's Plea: The Fate of a Canadian Masterpiece

  • Nishadil
  • November 10, 2025
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  • 3 minutes read
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A Mother's Embrace, A Community's Plea: The Fate of a Canadian Masterpiece

There’s a quiet urgency brewing in the Canadian art world, a story unfolding around a single painting, an auction house, and a family’s fervent hope. At the heart of it all is "Ukrainian Proverb," a deeply evocative work by the late, great Canadian artist William Kurelek, depicting children amidst a golden wheat field, a visual echo of the profound sentiment, "There is nothing like a mother." But, you see, this isn’t just about brushstrokes and canvas; it’s about heritage, community, and the ever-present tension between art as cultural anchor and art as a commodity.

The Hudson's Bay Company (HBC), a venerable name woven into the very fabric of Canadian history, has decided to part ways with a significant chunk of its historical art collection. This includes Kurelek’s "Ukrainian Proverb," which is now slated to hit the auction block at Sotheby's Canada. And here’s where the narrative truly takes hold: Kurelek’s daughter, Catherine Kurelek, is making an impassioned plea, a heartfelt wish, for the painting to remain in Toronto. More specifically, she dreams of seeing it find a permanent, accessible home at the Ukrainian Museum of Canada, Ontario Branch.

One might wonder, why such a strong sentiment over a single piece? Well, for the Kurelek family, and indeed for countless Ukrainian Canadians, this painting is more than just art. It’s a touchstone, a powerful representation of immigrant experience, of identity, and of the enduring spirit of a community that William Kurelek so brilliantly chronicled throughout his career. To lose it into a private collection, to have it vanish from public view, would feel like a severing, a silent loss for the very people it was intended to speak to.

HBC, for their part, explains that this divestment of their vast collection, accumulated over decades and including works by the famed Group of Seven, is intended to fund a new philanthropic endowment. An admirable goal, certainly, ensuring future public access and stewardship of heritage in a different way. Yet, the Kurelek family’s worry is palpable: will that "stewardship" extend to the particular resonance of this painting for this community? You see the dilemma, don't you? A broad philanthropic vision versus a very specific, deeply personal, cultural connection.

The painting, with an estimated value hovering between $300,000 and $500,000, is set to be auctioned on June 1, 2023. And, truthfully, the Ukrainian Museum of Canada, Ontario Branch, a cherished institution, simply doesn't possess the kind of capital to compete on that stage. It’s a sobering reality for many smaller cultural organizations; their passion and purpose are immense, but their purse strings are often quite tight.

William Kurelek was a master storyteller with a paintbrush, renowned for his detailed and poignant depictions of prairie life and the immigrant journey, often imbued with a spiritual depth. His work has a unique way of reaching out, connecting with a shared Canadian experience while celebrating specific cultural roots. This particular piece, with its tender portrayal and its grounding in a universal proverb, truly embodies that spirit.

So, as the auction date approaches, a quiet vigil is being held, a collective hope that somehow, in the grand dance of art and commerce, "Ukrainian Proverb" will find its way back to the embrace of the community it so beautifully represents. It’s a testament, perhaps, to the notion that some art, some stories, are truly meant for everyone, not just for the fortunate few who can afford them.

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