A Masterclass in Merriment: Peter Dinklage Dazzles in Shakespeare in the Park's Twelfth Night

The air in Central Park crackles with anticipation, a vibrant energy that only Shakespeare in the Park can conjure. This summer, the Public Theater presents a musical adaptation of William Shakespeare's beloved comedy, Twelfth Night, and it's a spectacle that, despite its delightful disarray, absolutely shines—primarily thanks to a mesmerizing central performance by Peter Dinklage.

From the moment the audience settles into the iconic Delacorte Theater, it's clear this isn't your grandmother's Twelfth Night.

Director Oskar Eustis, with the brilliant musical contributions of Shaina Taub (who also masterfully portrays Feste, the jester), has crafted a production that pulsates with life. It's an energetic, effervescent concoction of mistaken identities, unrequited loves, and the glorious folly of human hearts, all set to an irresistible, contemporary score.

While the production embraces a joyous chaos—sometimes feeling less like a meticulously choreographed ballet and more like a rollicking, impromptu street party—it's precisely this spirited abandon that gives it charm.

The ensemble casts a wide net, sometimes pulling in too many threads, but the core of the play's emotional truth and comedic brilliance remains firmly intact.

And at that core, towering even when physically seated, is Peter Dinklage as Malvolio. Dinklage’s portrayal of the puritanical, self-important steward is nothing short of a revelation.

He transforms Malvolio from a mere comedic foil into a character of profound, heartbreaking humanity. His Malvolio isn't just a figure of ridicule; he’s a man whose rigid exterior hides a yearning for acceptance and status, a desire that makes his eventual humiliation truly poignant. Dinklage's physical comedy is impeccable, his timing razor-sharp, and his rendition of Malvolio’s delusion, especially in the iconic cross-gartered scene, elicits both uproarious laughter and a pang of sympathy.

It’s a performance that redefines the character, proving that even in the broadest comedy, there’s room for profound depth.

Beyond Dinklage, the cast is a treasure trove of talent. Shaina Taub’s Feste is a cynical, witty delight, guiding the audience through the madness with a knowing smirk and a powerful voice.

Her original songs are perfectly integrated, adding a fresh layer of emotional resonance and comedic punch. Nikki M. James brings a luminous grace and earnestness to Viola, navigating her complex disguise with compelling vulnerability. Andrew Kober is a boisterous, beer-swilling Sir Toby Belch, while Alex Hernandez’s Sebastian offers a charming counterpoint to the chaotic goings-on.

Each actor, in their own right, contributes to the production's vibrant tapestry.

Ultimately, this Twelfth Night is a celebration. A celebration of Shakespeare's enduring genius, of the magic of live theater under the stars, and of the transformative power of a truly great performance.

It might be a little rough around the edges, a little loud, and a little rambunctious, but it’s precisely these qualities that make it feel so alive. Peter Dinklage’s Malvolio is a masterclass, anchoring a production that reminds us why Shakespeare in the Park remains one of New York City's most cherished summer traditions: it's an exuberant, unforgettable theatrical experience that feels both grand and intimately human.